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Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Charles and Ray Eames adapted molding techniques developed during World War II to produce their classic molded plastic shell chair’s simple, gracious form, a design from 1950. The Herman MIller x HAYversion of the Eames Molded Plastic Armchair has been produced in 100% post-industrial recycled plastic. The subtle matte texture of the re-engineered plastic shell…
Conceived in 1946 by the husband-and-wife design team of Charles and Ray Eames, the LCM (“lounge chair metal”) is an icon of mid-century modern design and represented in MoMA’s collection. The Eames® Molded Plywood Lounge Chair (LCM) is composed of a molded-plywood seat and back that sit on a powder-coated black steel frame, with neoprene…
Conceived in 1946 by the husband-and-wife design team of Charles and Ray Eames, the LCM (“lounge chair metal”) is an icon of mid-century modern design and represented in MoMA’s collection. The Eames® Molded Plywood Lounge Chair (LCM) is composed of a molded-plywood seat and back that sit on a powder-coated black steel frame, with neoprene…
Conceived in 1946 by the husband-and-wife design team of Charles and Ray Eames, the LCM (“lounge chair metal”) is an icon of mid-century modern design and represented in MoMA’s collection. The Eames® Molded Plywood Lounge Chair (LCM) is composed of a molded-plywood seat and back that sit on a powder-coated black steel frame, with neoprene…
With its wide shape, soft, flowing lines and tendency to float overhead while providing an ethereal glow, the Nelson™ Saucer Bubble Pendant makes an elegantly whimsical reference to its UFO namesake. Designer George Nelson developed the Bubble Pendant Lamps series of lightweight, transparent shapes with visible steel infrastructures after feeling challenged by the high price…
With its wide shape, soft, flowing lines and tendency to float overhead while providing an ethereal glow, the Nelson™ Saucer Bubble Pendant makes an elegantly whimsical reference to its UFO namesake. Designer George Nelson developed the Bubble Pendant Lamps series of lightweight, transparent shapes with visible steel infrastructures after feeling challenged by the high price…
With its wide shape, soft, flowing lines and tendency to float overhead while providing an ethereal glow, the Nelson™ Saucer Bubble Pendant makes an elegantly whimsical reference to its UFO namesake. Designer George Nelson developed the Bubble Pendant Lamps series of lightweight, transparent shapes with visible steel infrastructures after feeling challenged by the high price…
Casting a radiant, even glow from its elongated shape, the Nelson™ Cigar Bubble Pendant is part of a series of lamps inspired by designer George Nelson’s interest in Swedish hanging lamps whose silk coverings made them unaffordable for his design office. By replacing the silk with a transparent plastic resin that sprayed over a lightweight…
Casting a radiant, even glow from its elongated shape, the Nelson™ Cigar Bubble Pendant is part of a series of lamps inspired by designer George Nelson’s interest in Swedish hanging lamps whose silk coverings made them unaffordable for his design office. By replacing the silk with a transparent plastic resin that sprayed over a lightweight…
In 1952, the legendary designer George Nelson fell in love—with a Swedish hanging lamp that he felt would be perfect for his design office. Covered in silk, the lamp was priced so prohibitively that he decided to make his own version instead. That’s how the Nelson™ Angled Sphere Bubble Pendant was born. Shaped like a…
The Eames Wire Base Low Table was designed in 1950 by Charles and Ray Eames. For this Herman Miller x HAY version, the original’s wooden top is now rendered in an outdoor-safe tempered glass with a color palette chosen by HAY. The beveled edges of the cast-glass top create a delightful interplay of color and…
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